953 nut 69,618 #1 Posted yesterday at 11:46 AM October 20, 1962, the quirky and spooky song “Monster Mash” hits No. 1 on the Billboard Hot 100 chart, just in time for Halloween. The self-described “graveyard smash” becomes a literal smash hit, spending the last two weeks of October at the top of the charts—and remaining a beloved Halloween classic decades later. The song was a toss-off idea by Bobby “Boris” Pickett, a lifelong fan of legendary horror film actor Boris Karloff, who started doing Karloff impersonations at talent competitions. After deciding to pursue an acting career in California, he teamed up with a friend, singer Leonard Capizzi, to make a novelty song featuring Pickett’s Karloff voice. In less than an hour, Pickett and Capizzi recorded “Monster Mash” with a band they called The Crypt-Kickers. 6 2 3 Share this post Link to post Share on other sites
Beap52 2,513 #2 Posted 18 hours ago The crowd watching him was about as quirky as the song. 3 Share this post Link to post Share on other sites
953 nut 69,618 #3 Posted 5 hours ago He was quirky, no denying that, but the "Monster Mash" made him rather rich too. Global Royalty Revenue: "Monster Mash" generates roughly $1 million annually in total global royalties. Publishing vs. Master Rights: Out of that yearly million, about $500,000 comes from global publishing revenue (which goes to the songwriters and publishers) and $350,000 comes from the master recording rights. [1, 2] 👥 Pickett's Personal Share Because Pickett co-wrote the song with bandmate Leonard Capizzi, he was entitled to a continuous stream of songwriting and publishing royalties. [1, 2, 3] In interviews later in his life, Pickett noted that he cleared roughly $100,000 a year in personal royalties from the song. In a famous interview with The Washington Post, when asked if the song brought in enough money to ensure he never had to work another day in his life, Pickett replied: "Let's just say that it has paid the rent for 43 years. 2 Share this post Link to post Share on other sites